- Sound Design Faculty
- Technical Direction - Statical Engineering
- Voice/Speech
- Head of Scene Design
- Acting
- Voice
- Head of Video Design
- Head of MFA Acting
- Lighting Design
- Sound Design Faculty
- Head of Technical Direction
- Movement
- Costume Design
- Theater History
- Theater History/Dramaturgy
- Technology|Communication Assistant
- Co-Head of BFA Acting
- Director, Cotsen Center for Puppetry and the Arts
- Sound Design Faculty
- Head of Sound Design/Assistant Dean, Enrollment Manager
- Head of Scene Painting/Recruitment Manager
- Dramaturgy
- Head of Lighting Design
- Associate Director of Performance for Acting
- Production Manager
- Head of Writing for Performance
- Directing/Screenwriting/Film
- Associate Costume Shop Manager/ Head Draper
- Associate Head, MFA Acting/Voice
- Interim Co-Dean, School of Theater | Head of Design | Head of Costume Program | Robert Corrigan Chair in The School Of Theater
- Stage Management
- Video Design Faculty
- Costume Shop Manager
- Acting
- Director of Design and Production|Head of Producing|Producing Director, Center for New Performance
- Director of Performance | Head of Directing | Artistic Director, Center for New Performance
- Acting
- Arts and Social Justice
- Design Technology/ Facilities Coordinator
- Puppetry
- Scene Design
- Film Producing/Management
- Interim Co-Dean, School of Theater | Managing Director, Center for New Performance | Producing Faculty
- Associate Technical Director
- T'ai Chi Chuan
- Movement
- Voice/Speech
- Assistant Dean|Head of Management|General Manager

Martha Ferrara is an award-winning designer of more than 75 productions in theatre, dance, opera, video and performance art. She is perhaps best known for her interpretive reconstruction of costumes for the futurist opera Victory Over The Sun, directed by Robert Benedetti in 1980, originally conceived by Kasimir Malevich in 1913. These sculptural costumes have been exhibited at the National Gallery of Art, the Smithsonian Institution, Los Angeles County Museum of Art, Brooklyn Academy of Music, Akademie der Kunste in Berlin, der Meervaart in Amsterdam and at the History of Sculpture exhibit in Basel. As the costume designer for Loretta Livingston & Dancers, Ferrara has created the costumes for twelve repertory premieres, including Two Thousand Steps, a Millennium commission by the Orange County Performing Arts Center. She was honored as the first recipient of the Lester Horton Award for Visual Design for Dance. In theatre, she is known for her designs for new plays, including the Kennedy Center for the Performing Arts' production of Cootie Shots and the Odyssey Theatre's Year One of the Empire and McCarthy. In 1997, Ferrara created the costumes for the Public Television production, Isabella d'Este: First Lady of the Renaissance, written and directed by Dr. Eugene Enrico, and funded by the National Endowment for the Humanities. Ferrara joined the faculty of CalArts in 1977 teaching courses in costume design, history, patterning and special crafts. She served as the interim dean of the CalArts School of Theatre from 1991-1995. Before coming to CalArts, she held the position of costume designer at the Academy of Dramatic Art in Michigan, the American Sister school of England's Royal Academy. Her training is from the School of the Art Institute of Chicago and the Goodman School of Drama.
- Member for
- 2 years 31 weeks
